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That kid-like sense of wonder mixed with a heavy dose of nostalgia has been a magical combination for Disney's bottom line on its string of recent live action updates. It makes for great escapism, but Bill Condon's seemingly committee-made movie is also hollow. This one will be chalked up as a big money-making success. Progressive Disney tries to fix some of the story's appalling gender politics and even has an officially acknowledged-to-be-gay character. Yes, Belle is mechanically inclined, and hatches a worthy escape plan, but she still falls for a pouty jerk whose dialogue might as well come from a "nice guys finish last" rant on reddit.
Playing Le Fou, Josh Gad also gets some creative leeway, mainly because Stephen Chbosky's screenplay attempts to add a progressive spin to Gaston's buffoonish crony.
Wynton’s grandfather was also a jazz a musician who started it all for their family’s path, he’s the late Ellis Marsalis Sr.The only thing they allegedly requested of each other in the divorce settlement is that neither one of them bothers, or harasses the other.Their requests were a lil’ weird, but at least it was amicable.Yes, Le Fou is gay, but now Disney's only gay character is a clownishly ineffective villain.Maybe they could have thought that out a little more?